Directed by Stacy Dumont

Audition Requirements:

Prepare the following monologue for your audition. Memorization is preferred, but not required.
Scene: Olga is a fast-talking gossip of a manicurist sharing news with the lead character, Mary.

Olga (Act I, Scene 2:  Pages 19 – 20)
OLGA:  It was a couple of months ago. Us girls weren’t busy. It was an awful rainy day, I remember.  So this gentleman walks up to the counter.  He was the serious type, nice-looking, but kind of thin on top.  Well, Crystal nabs him.  “I want some perfume,” he says.  “May I awsk what type of woman for?”  Crystal says, very ritzy.  That didn’t mean a thing.  She was going to sell him our feature, Summer Rain, anyway.  “Is she young?” Crystal says. “No,” he says, sort of embarrassed.  “Is she the glamorous type?”  Crystal says.  “No, thank God,” he says.  “Thank God?”  Crystal says and bats her eyes.  She’s got those eyes which run up and down a man like a searchlight.  Well, she puts perfume on her palm and in the crook of her arm for him to smell.  So he got to smelling around and I guess he liked it.  Because we heard him tell her his name, which one of the girls recognized from Igor Cassini’s column – Gee you’re nervous – Well, it was after that I left.  I wouldn’t of thought no more about it.  But a couple of weeks ago I stopped by where Crystal lives to say hello.  And the landlady says she’s moved to the kind of house where she could entertain her gentleman friend – “What gentleman friend?” I says.  “Why, that Mr. Haines that she’s had up in her room all hours of the night,” the landlady says --.

The story takes place in NYC society circles in the 1930s, and there are over 30 roles available – all for women between 20s and 60s (and one girl of about 10-11) – depending on doubling and/or combining some smaller roles. Along with the principals listed below, there is a small army of hairdressers, beauticians, saleswomen, fitters, dress models, domestics, etc. which can be doubled/tripled in some cases… but please do not think of these roles as negligible, as in many cases THEY are the ones who drive the story along by passing gossip and compromising information – and their dialogue is often just as crackling as that of the principals.

Mary (Mrs. Stephen Haines), mid-30s: the “heroine,” as nice and as sweet as can be  – she does not buy into the cattiness (and in some cases maliciousness) of her “friends,” and is very reluctant to believe that her husband is cheating on her… which it turns out he is.

Peggy (Mrs. John Day): pretty, sweet, mid-20s; a young married about whom the author says: “Peggy’s character has not, will never quite “jell.” Almost immediately has marital problems because she has money and her husband has not.

Nancy (Miss Blake): The one unmarried member of Mary’s immediate circle, mid-30s. “Sharp but not acid, sleek but not smart… a worldly and yet virginal 35.”

Sylvia (Mrs. Howard Fowler): mid-30s: “Glassy, elegant, feline.” As catty as they come; purports to be Mary’s closest friend, but is not above causing her tumult and hurt through her gossip, innuendo and “advice.” Cheats on her husband, whom she believes to be impotent (which he’s not…)

Edith (Mrs. Phelps Potter): “A sloppy, expensively dressed (currently by Lane Bryant) ‘matron’ of 33 or 34. Indifferent to everything but self, Edith is incapable of either deliberate maliciousness or spontaneous generosity.”

Crystal Allen: mid-20s: Stephen Haines’ mistress – the classic, cold, calculating, gold-digging, beautiful, sexy, younger “other woman” – a shopgirl-turned-society woman after snatching Stephen; one pretty nasty “bitch.”

Miriam Aarons (first appears as “Mud Mask”): mid-late 20s; a Broadway starlet and (as it turns out) mistress to one of the husbands. Not the cold-hearted bitch that Crystal is, by comparison.

Countess de Lage: 40s – 50s: “An amiable, silly, plump and forty-ish heiress type.”

Other smaller but important, non-doubling roles include:

Mary’s mother (mid-late 50s-60s):
 who has quietly seen and dealt with marital trouble herself – to Mary’s surprise; advises Mary based on her own experience

“Little Mary” (Mary’s daughter, 11)

Jane (20s, Irish-American)


 Ingrid and Sadie – domestics in the Haines household

Roles that can be doubled/tripled include: Princess Tamara, a dress model; an exercise instructress; Stephen’s secretary (also secretly in love with him); and numerous dress fitters, models, beauticians, hairdressers, saleswomen and society women.

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Up coming auditions:

The Pajama Game: April

Scrooge The Musical: July

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auditions, rehearsals, and performances will be held at: